Seurat$506738$ - significado y definición. Qué es Seurat$506738$
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Qué (quién) es Seurat$506738$ - definición

FRENCH PAINTER (1859-1891)
Georges Pierre Seurat; Seurat, Neo-Impressionism and the science of color; George Seurat; Georges-Pierre Seurat; Seurat
  • ''[[A Sunday Afternoon on the Island of La Grande Jatte]]'', 1884–1886, oil on canvas, 207.5 × 308.1 cm, [[Art Institute of Chicago]]
  • ''[[Bathers at Asnières]]'', 1884, oil on canvas, 201 × 301 cm, [[National Gallery]], London
  • Jeune femme se poudrant]]'' (''Young Woman Powdering Herself''), 1888–1890, oil on canvas, 95.5 x 79.5 cm, [[Courtauld Institute of Art]]
  • Georges Seurat, 1889–90, ''[[Le Chahut]]'', oil on canvas, 170 x 141 cm, [[Kröller-Müller Museum]], Otterlo
  • The Circus]]'', 1891, [[Musée d'Orsay]], Paris
  • Circus Sideshow (Parade de Cirque)]]'', 1887–88, [[Metropolitan Museum of Art]], New York
  • Portrait of [[Edmond Aman-Jean]], shown at the 1883 Salon
  • Circus Sideshow (Parade de Cirque)]]'' (1889) showing pointillism and color theory

Michel Seurat         
FRENCH SOCIOLOGIST
Michel Seurat was a sociologist and researcher at the CNRS, born 14 August 1947 in Tunisia and died in Beirut in 1986.
Neoimpressionism         
ART MOVEMENT
Neo-Impressionism (version 2); Seurat, Neo-Impressionism and the Science of Color; Neoimpressionism; Neo-impressionist; Neo-Impressionist; New Impressionism; Neo-impressionism
·add. ·noun A theory or practice which is a further development, on more rigorously scientific lines, of the theory and practice of Impressionism, originated by George Seurat (1859-91), and carried on by Paul Signac (1863- -) and others. Its method is marked by the laying of pure primary colors in minute dots upon a white ground, any given line being produced by a variation in the proportionate quantity of the primary colors employed. This method is also known as Pointillism (stippling).
Neo-Impressionism         
ART MOVEMENT
Neo-Impressionism (version 2); Seurat, Neo-Impressionism and the Science of Color; Neoimpressionism; Neo-impressionist; Neo-Impressionist; New Impressionism; Neo-impressionism
Neo-Impressionism is a term coined by French art critic Félix Fénéon in 1886 to describe an art movement founded by Georges Seurat. Seurat's most renowned masterpiece, A Sunday Afternoon on the Island of La Grande Jatte, marked the beginning of this movement when it first made its appearance at an exhibition of the Société des Artistes Indépendants (Salon des Indépendants) in Paris.

Wikipedia

Georges Seurat

Georges Pierre Seurat (UK: SUR-ah, -⁠ə, US: suu-RAH, French: [ʒɔʁʒ pjɛʁ sœʁa]; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface.

Seurat's artistic personality combined qualities that are usually thought of as opposed and incompatible: on the one hand, his extreme and delicate sensibility, on the other, a passion for logical abstraction and an almost mathematical precision of mind. His large-scale work A Sunday Afternoon on the Island of La Grande Jatte (1884–1886) altered the direction of modern art by initiating Neo-Impressionism, and is one of the icons of late 19th-century painting.